Summary: The art of painting is the performance of the human mind with some material medium and craft activities.It as a spiritual product to show people it contained the spirit of thinking through some form of matter from thousands of years of Chinese painting conceived and developed before the craft decorative patterns, there is an extremely rich cultural heritage through the screen, meaning a certain outlook on life, world outlook and values, is the largest and most essential characteristics of Chinese painting. "fun ignited" and painting freehand "is a typical Chinese painting in order to express the two forms of the painter thought.
1, taste ignited
Painting and artistic creation is aesthetic way reflect the life of the author's point of view, thoughts and feelings, and aesthetic appeal are specific artistic ideas and art to convey manifested is ignited fun. Painting is a highly spiritual art inherent in the creation of the art of painting reflects the strong ideological and its relationship with the material world, the kind of ambiguous, both substances, but also the level of spirit, and thus the most close to the essence of art. Looking at the history of the development of the Chinese and Western painting art , we can see, the root invisible line in the pulling direction of its development, the traction artistic development always impartial towards it forward on the road of its development, and this has a huge "magic "invisible command is" spiritual thinking ". many schools of Chinese painting masters of giving birth, endless techniques, style, spirituality is naturally very strong traditional Chinese painting art creation by the aesthetics and the concept of arts affect Chinese people pay attention to the most political and religious values of the plastic arts, the Tang Dynasty Zhang Yan Yuan pointed out that the fine arts have the enlightenment function. summed husband painted into enlightenment to help others Lun, Qiongshen change, measured renaissance men, and six citizenships isoenzyme four when and operational superiority of fine art evangelize and other means of education and also to do a comparison: Magazine So Syria being to not set out its capacity, Fu. Ode to chant its beauty, you can not prepare their as a picture of the system, so the chief also more or less are also talking about the role of the artistic spirit.
Taste ignited the biggest manifestation of the spirit of Chinese painting of a pen. Force of Chinese painting the core issues pen pen calligraphy has laid an aesthetic requirements. Ancient Southern Qi Sheikh >> << Raise of Law the bone pen "requires strokes organizations scouring aptly performance of the object, to express the feelings of the author. Chinese painting with a pen there are a lot of requirements, In addition to the emphasis on pen force, there are three very important requirement is artistically performance, extensive changes and ignited and fun. artistically tasting figures ethos degrees rhyme abbreviation of the Wei and Jin dynasties, is out to expose internal mental factors cited as standard or painting sum under the paper have to change, but also pride and hygiene conditions, CPT into a fun, this is a pen and ink taste requirements. mood painter emotions emotional colors, interesting painter spiritual life and material life fun., pen and ink contains with a strong spirit and lyricism of Chinese painting pen pay attention to the core of traditional Chinese painting techniques, Chinese painting is essentially a gene pen is the basis of the shape to be able to not only correct and accurate depiction of the object, but also the object itself "spineless" (see Note 1). artistically and spirited sense same, the painter must first deposit prior to the creation of think in the heart of the so-called "Purpose in first" write to be able to produce vivid artistically, "as should be God , image preparation and a look of complete and have to rely on the pen.
2 to draw freehand
The ideological content of the art of Chinese painting is reflected in the creation of Chinese painting in the shape, color, composition, subject matter, and so many aspects of screen content to express a certain sense of mood, to reflect the author's worldview, values and philosophy of life is painting freehand First, the shape of the Chinese painting has a flat, decorative imagery characteristics, which are the product of the imagination of imagery and decorative. decorative imagination is that of the use of the images processed summarized deformation beautify the objective basis so that both objects, more of subjectivity. Imagery is just contrast, decorative subjective more extreme modeling more patterned imagery contains a natural real desire of Chinese painting to get rid of the shadow of the craft decoration of Gu Kaizhi on proposed "to form write God" of modeling requirements, shaped the importance of further attention. correct write-shaped to correct vivid, imago modeling of important law. traditional Chinese painting, both spirit and form to convert focusing express the spirit of the main painting stressed "shaped with God, Vivid, not rigidly adhere to the shape of the carving, and focus on the charm convey creative thinking, It is in recognition of got artistic creation in "shape" and "vivid" the dialectical relationship between the two complement each other. paintings emphasized nature outside, in the heart of the source, that the painter observe and grasp of objective things, outside to the inside emphasis on the understanding of the spirit characteristic of the artist's subjective spirit factors, including cultivation, moral character, disposition, etc., with the objective world phase fusion, thus creating a has profound connotations of beauty image and realm. strong spirit of resistance of Chinese painting. spiritual guidance for has an extremely important role and significance to the development of Chinese painting and Chinese painting art extremely pursuit of expression and manifestation of inner thoughts, which fully embodies the spirit of the art of painting, to some extent, is derived from China's traditional cultural heritage, as well as in thinkers subtle artist grew up under the influence of Chinese culture. the Song literati freehand painting "meaning" which contains the spirit of the object or artistically, and put into the spirit of the author, giving the images a certain sense the intrinsic. axis >> screen text with the << bamboo in deliberately depiction of the subject to some natural environmental constraints, thus bending the growth of bamboo, how tenaciously adhere to upward development, wanted to show the the true survival vibrant and author of the bamboo The high degree of unity of the force of personality.
Second view of Chinese painting with color. Had whale << of Wang Shimin small like >> example to discuss fully reflects "the Six" one of the categories to give color ", Sheikh typed, image, decoration of flattened features several colors completely flat coated lined plane constructive relations, blooming only slightly in the face, to show that he is only concerned about the spirit of the characters rather than a material entity. simple shape and color of the light plane, the material sexual performance to reduce prominent spiritual characteristics can not be at a low level - it is the Chinese painting with the color of the spirit of the performance. simultaneously worthy of attention is, of Chinese painting in the use of color is also particularly like to use ink it just embodies the ancient Chinese main cultural Confucianism. tract. Buddha's some philosophical concepts have these philosophical accomplishment of literati literati painters reflect "literati painting". Confucius will "blog on the road, with virtue, according to Yu Ren" as an artistic creation "tour in Arts premise, he swam in the arts of life activities, are built on the basis of "benevolence" spirit of Chinese landscape painting Heaven, in essence, also contains "Ren" values. landscape painting contains ancient Chinese personality and moral cultivation of self-improvement is an extremely important function, that is, by Confucianism. developed the art of painting in this case, is bound to be extremely strong ideological significance. ancient Chinese landscape painting gestation produce enormous impact on Taoism best embodies the Taoist philosophical ideas, but only with the ink painting landscapes I "mysterious" to describe a subtle but profound philosophical truth. "mysterious" in Taoism is very high, which further expand the authority of the influence of the ink to dominate the world I think colored people blindness "advocates see Su Bao Pu" only one ink leaving colored abstract up different Levels of ink can represent a variety of colors meaning exists only enough to show images, nor contrary to the beauty of simplicity, is reaching the highest natural artistic taste. he stressed that "caused by virtual pole, keep quiet Benedict philosophical realm, quiet mood by the" mysterious "color to reflect most appropriate, because of the "mysterious" idea was a deep silence. Taoism and pay attention to the cultivation of tranquil << Zhuangzi Heaven articles >> that: "Cardiff xujing the tranquil, lonely inaction, heaven and earth level and moral matter to. ..... this of all things. "static and light connected, peaceful black no VANGUARD lively stimulate the matter are both trademarks eyes, it seems tranquil, colorful gorgeous electrode classified as a single ink tranquil again to plus xujing and simple, they achievements Chinese Paintings from the philosophical nature of artistic creation soaring. aesthetic ideas of the pre-Qin, a great impact on the development of Chinese painting. the painting artistic creation guidance and constraints First, it advocates art useless, with good, benevolence, On the use of the rite is contradicted, but spread to future generations, so that the ancient Chinese society and painter individuals have conflicting aesthetic ideology While recognizing the art of painting positive social significance. while on the other hand to turn the art of painting as a non-fluff is worth mentioning that the social status of the painter. ancient literati both love to paint, and shame that the mentality of the industry so that they will draw painting only as an amateur pastime, rarely 100 percent enthusiasm betting painting to go, even with such pursuits are always subject to prior ideological shackles behave in the pre-Qin aesthetic ideology to good, benevolence, the ceremony concept also integrated in the cultural traditions of Confucianism headed, these ideas are accepted by the people for the society at large, and as the subject of ancient Chinese painting literati is the main recipient of, of course, they are also very conscious of painting adhere to this principle. creation thinking I Zhuangzi respect for nature, so enjoy the natural beauty of the main ideological theme. while their colored negation and plain advocate xujing tranquil philosophy accomplishment affected the later literati painters on meticulous re-color the contempt and on Ink freehand painting preference to ink is the only color of ink painting freehand drawing, centralized embodies Chinese ancient main culture, Confucianism, Taoism, Buddhism, some philosophical concepts. Warring States period in the ideological sphere appeared lively remarkable phenomenon of "a hundred schools of thought contend". has a different view of the world, values thinkers in succession to advocate their own ideas and opinions made public. these ideas to some extent, also gave birth to the ancient Chinese people, whether or literati basic worldview and values of the people, so in their consciousness has left a moral and ethical concepts of thinkers, and continue to affect them and the people they later this ideological shadow become the basic guidelines and based on their textual life painting and artistic creation is a spiritual activity put on the substance of a conscious human activity, of course, it is inevitable to bring subjective thoughts and ideas of the creators, and then also the achievements of the ideological content of their works by the Taoist thinking of painting, we can already understand. then look at Buddhism. Buddhism on Chinese painting Zen it is China sectarian, easy literati believe the concept of Chinese painting ink and followed in the shape of "Not Alike Like" concept as well as a blank composition concept reflects the influence of Zen "Zen" very stressed "no" on the cultivation concept. "no phase" is not " phase ", what do not have painted. << explained:" no phase, phase the Sixth Patriarch magic weapon altar after >> off phase "and" phase "maintain a first glance together first glance from the dialectical relationship, but The key lies in "off phase." Zen "paraphrase" peaceful contemplation ", while" off phase "embodies the" peaceful contemplation, do not have to be disturbed for "phase".
1, contains the "bone", "gas" two meanings. "Bone" is the image of the material factors, "gas" is the image of the spirit.
References: 1, the China Academy of Fine Arts, Department of Art History, Department of Art History, edited << A Brief History of the Chinese Artists >> Higher Education Press, 1998, Revision 2, China Academy of Fine Arts, Department of Art History the Foreign Art History Department edited << A Brief History of Foreign Art >> Higher Education Press, revised edition 1998